We musicians are self-sufficient: as a flutist I have always spent a significant amount of time on my own practising joyfully every day. This more placid pace has afforded me extra time… It’s also provided me the opportunity to work on projects I’d set aside due to my frenetic existence.
Peter Cousens is a singer who is a natural musician. A singer who open their mouths and without artifice or ego, the music just pours out. Speaking of flute fun: Check out Evening Stars team Flute and Voice having a flute-versus voice warm-up before a concert.
Last week I attended the dazzling opening VIP party of the Maison Cartier Exhibition at the National Gallery of Australia (for whom I will perform a solo French Flute concert titled
MADAME FLUTE! FRENCH CLASSICAL CABARET The Camelot Lounge, Sydney 1 Feb 2018 FLUTE ALORS! Back by popular demand-with even more Fabulous French Flute Music & Chansons Françaises, I’ll be accompanied
As Artistic Director of the popular Lunchtime Concert series, Live at Lunch, I’m thrilled to announce our 6th Season in 2018, at the World-class Concert Hall of The Concourse, Chatswood in Sydney, Australia.
Two days ago I again performed French music – Claude Bolling, Piaf, Poulenc, Faure, Michel Legrand, Offenbach & more in a flute Cabaret Parisien at Sydney’s fabulous Live Music venue,
I love music that has a melodic and harmonic narrative. My new #WorldMusic Album #ThirdCulture is a good example – John Huie’s gorgeous pieces (for flute, guitar, Chinese banjo, percussion and bass) take us on an evocative journey… Xiao Ma means Little Horse
The sound of the Flute can connect us on a spiritual & meditative level. If you need to CHILL, a flute meditation piece I wrote (album #FluteSpiritdreamsandImprovistations). Titled Yugali, Pan
Here’s a quick interview in which we discussed how there are so many great flute players in the world now (perhaps thanks to the French Flute School!), so competition is tough. A piece of advice from Monsieur Guiot on how to stay within the Classical Flute World whilst at the same time attracting an audience!
It’s rare that I omit Debussy’s Syrinx from my classical flute recitals. The piece is so definitional for all flute-players, and helps to define the importance of the instrument as the oldest known to man.
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