There is considerable controversy around Australia Day, and I have empathy with those who are upset by the date, its title and the dark side of what it represents. Nonetheless, having been asked for a number of years as a flutist to participate as an Australia Day Ambassador, I felt honoured to accept.
Last week I attended the dazzling opening VIP party of the Maison Cartier Exhibition at the National Gallery of Australia (for whom I will perform a solo French Flute concert titled
MADAME FLUTE! FRENCH CLASSICAL CABARET The Camelot Lounge, Sydney 1 Feb 2018 FLUTE ALORS! Back by popular demand-with even more Fabulous French Flute Music & Chansons Françaises, I’ll be accompanied
I was involved in the gentle Reawakening Open Day last week at the late Diane Cilento’s Karnak Playhouse Far North Queensland. So thrilled to see such a big turnout, the day involved brilliant activities and circus performances by members of Wilde Applause Creative Productions, three talks by Giovanna Cilento Volpe and myself and three flute performances.
Great teachers can hand one the path to one’s destiny! This was the case with my French flute teacher, the wonderful Alain Marion. As with so many of his students, Alain became my guru-not just for the flute, but for living, for appreciation, for art, for food, everything.
I love music that has a melodic and harmonic narrative. My new #WorldMusic Album #ThirdCulture is a good example – John Huie’s gorgeous pieces (for flute, guitar, Chinese banjo, percussion and bass) take us on an evocative journey… Xiao Ma means Little Horse
The sound of the Flute can connect us on a spiritual & meditative level. If you need to CHILL, a flute meditation piece I wrote (album #FluteSpiritdreamsandImprovistations). Titled Yugali, Pan
Here’s a quick interview in which we discussed how there are so many great flute players in the world now (perhaps thanks to the French Flute School!), so competition is tough. A piece of advice from Monsieur Guiot on how to stay within the Classical Flute World whilst at the same time attracting an audience!
It’s rare that I omit Debussy’s Syrinx from my classical flute recitals. The piece is so definitional for all flute-players, and helps to define the importance of the instrument as the oldest known to man.
Jane Rutter © 2024 All rights reserved
Made with ❤ with Elementor
